The project proposes a reassembly of the museum experience through interior design. Rather than prescribing a singular mode of engagement, it introduces spatial strategies that expand access: an antechamber that reframes how to look, circulation systems that support multiple paths, and environments that legitimize pause as part of engagement.

Ultimately, the thesis positions interior architecture as an active medium capable of redistributing agency, shifting the museum from a space that evaluates and fi lters its visitors into one that enables participation through spatial permission.

I am interested in preserving architectural heritage and repurposing old heritage sites. Buildings that have deep and valuable cultural meaning can be modified to create spaces that people can experience and live while understanding cultural stories and events. It is important to not only preserve tangible cultural heritage but to convey a sense of value embodied in the architectural heritage.

What is a museum and what is the role this anchor institution plays in the 21st century? This thesis explores this question along with how design can be utilized to create a more equitable and culturally responsive art museum, specifically in an underserved community in Philadelphia. By focusing on equity, access, activism, and advocacy, while providing an environment to promote local initiatives, creativity, and innovation, the museum’s primary function changes from an archive of physical objects to an archive of cultural memory. By structurally changing the institution to have a stronger focus on the visitor and their experiences/connections made in the museum, the museum becomes an archive of the people and their communal identity.