Architecture embodies both history and visions of the future. The way we inhabit old buildings then can be a form of seance: a dialogue with the ghosts of our past as a way to grapple with history and take agency in constructing heritage. Utilizing Philadelphia’s landmark brutalist Roundhouse building--former home of the Philadelphia Police Department--this thesis explores how design can amplify or subvert experiences of place and history, enabling us to reimagine our relationship with the past as an active conversation, always in progress. This project reinvents the Roundhouse as an arts ecosystem, anchored by a nightclub, which serves an artist residency program and a luxury hotel for patrons of the arts. Revealing the architectural form allows moments that invert historic dynamics of power and subjectification, instead embracing interaction and enjoyment.